One request, five steps
Roster, markets and goals, commercial ranges, rights and timeline, materials. The desk starts with the whole picture instead of a call and a follow-up email.
Open one request for a show, a tour or a festival and the desk goes to work: matching brands to the audience you actually have, drafting the offer, and carrying every commitment through to the signed letter and the confirmed delivery.
A show has a hundred moving parts and the sponsor conversation is the one that gets picked up last, usually by whoever has a contact. So the deck goes out to a list rather than to a fit, the follow-up slips, and the slot goes unsold or goes cheap.
Roster, markets and goals, commercial ranges, rights and timeline, materials. The desk starts with the whole picture instead of a call and a follow-up email.
Brands are matched on who is in your crowd and which categories they buy from, and the shortlist comes back with the reasoning attached.
Cover, partner, audience, package, timeline and terms, drafted in English and Korean and reviewed by a person before it leaves the desk.
Every commitment carries two stamps: ours when delivered, the brand’s when confirmed. The closing report is built from those rows.
Deals run across the United States and APAC, K-pop first. Coverage is separate from where we are based: WENOTIFT Inc is a Delaware corporation headquartered in San Francisco, California.
Request access to Scena and a person from the partnerships desk replies, not a form.