Cultiq for the numbers, sold on its own. Then the WENOTIFT desk: Scena for the people running the show, Patron for the brands backing it, and Vella for where they meet.
Cultiq scores artist fit against your brief and reads the market behind it, so the first conversation starts with numbers. Sold on its own at cultiq.app; the desk uses the same data in every deal it runs.
Open cultiq.app
Open one request in Scena and the desk goes to work: matching brands to your audience, drafting the offer and carrying every commitment to the signed letter. You follow the whole deal from one link, no chasing.
Sign in to ScenaOnce the letter is signed in Vella, the partnership runs here: approvals, invoices and the delivery table, with each benefit confirmed by you. No email thread, one record you can put in front of finance.
Sign in to PatronPartners list what they have open and brands post briefs, and the desk reviews each before it goes live. Brands send a request, receive the quote and sign the letter here. From signing, the partnership runs in Patron, on the same record.
Open VellaWhat happens differently at each stage when the record, not the inbox, runs the deal. Not an agency. Not just a tool.
An agency starts with a call and a follow-up email for everything it forgot. Scena opens a request in five steps: roster, markets, commercial ranges, rights and timeline, materials. The desk starts with the whole picture.
A brand signs up once, free, and one WENOTIFT account opens Vella and Patron. Requests, quotes and the letter live in Vella until signing. From then, Patron holds status, documents and updates.
An agency sells you its contacts. We match a show to brands on evidence: who the audience is, which categories they buy from, what comparable shows carried. The shortlist arrives with the reasoning attached.
Cover, partner, audience, package, timeline and terms are drafted from what you entered, in English and Korean, and reviewed by a person before anything leaves the desk. No one retypes a brief into slides.
The assistant acknowledges every message, asks for exactly what is missing and answers status questions from the record. Anything about money, dates or approvals is handed to a named person, with a drafted reply ready.
The desk files the sponsorship letter on the deal. The brand reads and signs it in Vella, WENOTIFT countersigns, and the signed copy stays attached to the partnership in Patron. No PDF hunting in a thread.
Received, In Review, Proposal, Approval, Activation. Partners follow each stage in Scena or from a tracking link that needs no login. Brands follow their side in Vella, then Patron. Nobody asks for an update by email.
An agency closes with a deck it wrote itself. Every commitment here is marked delivered by us and confirmed by the brand, a confirmed row cannot be edited, and the closing report is built from those rows only.
K-Pop is where most of our deals run today; this is who is in that crowd. Indicative figures from public industry research; none of it is measured by WENOTIFT. The record we keep is the deal, not the market.
Across APAC, more than three quarters of K-Pop fandom is under 35: the largest share between 16 and 24, with millennials close behind. Brands that plan for a Gen Z audience first, and a 25 to 34 second wave, read the room correctly.
Six kinds of teams open, back or run a deal here. Each gets its own door, and all of them work the same record.
The markets, entertainment types and brand categories a deal can be opened for today. If it is on the list, the request form accepts it.
A US company. Deals run across the United States and APAC, on one record whichever side of the ocean each party sits.
Live music first: festivals, concerts and tours, then artist, content and IP collaborations. K-pop leads, then pop, hip-hop and R&B, rock and indie, electronic, ballad.
The brand categories the platform places against a show, a roster or a piece of content.
WENOTIFT works under a sponsorship mandate that defines scope and protects both sides. Long-term relationships over one-off deals, clear reporting, no fabricated metrics.
We bring brand sponsors to your show or artist campaign, matched on data about which brands fit which audiences. You see which categories fit and why before anyone is contacted, and every conversation lands on the same record you already work from.
What WENOTIFT is, what it is not, and where it works. Longer answers live in the help center.
WENOTIFT is an AI-native entertainment intelligence company. It builds that intelligence into a platform that runs partnership deals from first request to confirmed delivery, on one record that both sides of the deal can open.
No. WENOTIFT runs deals on software it builds, matches sponsors on audience data and closes with a ledger both sides stamped. A partnerships desk of people works behind the software and a person signs every deal.
Three doors into the same record. Scena is for partners: promoters, labels, agencies, venues and media teams who open requests. Patron is for brands backing a show. Vella is the sponsor exchange, where partners list open inventory and brands browse it and send a request.
Cultiq is entertainment intelligence AI: artist fit, market and audience reads scored against a brief. It is a WENOTIFT product sold on its own at cultiq.app.
WENOTIFT Inc is a Delaware corporation headquartered at 28 Geary Street, Suite 650, San Francisco, California 94108, United States.
Coverage is separate from where we are based. Deals run across the United States and APAC: South Korea, Japan, Thailand, Indonesia, the Philippines, Vietnam, Malaysia, Singapore, Taiwan, Hong Kong, China, India and Australia. K-pop leads.
Email partnership@wenotift.com. Anyone can create a free WENOTIFT account: partners at scena.wenotift.com/register, brands at patron.wenotift.com/register. One sign-in opens Scena, Patron and Vella.
